She sang in the Western Maine Choral Society and several church choirs. Betty rowed, Ned fished, and she cleaned the fish.īetty was a fine artist who did beautiful sketches all of her life.
Betty and her husband Ned briefly owned Bosebuck Camps, a fantastic place for their children to be during the summers. In 1960, they moved to Farmington and spent many summers in Prospect Harbor.
On October 11, 1952, she married Edmund “Ned” Gunnar Barron at Palisades Presbyterian Church in Palisades, NY. She attended Dwight Morrow High School and received her B.A. She grew up in Palisades, NY at her family home “Seven Oaks”. She was born on Decemin Nyack, NY, the daughter of Seth William Fox Jr. Luke the evangelist and iconographer.FARMINGTON – Elizabeth “Betty” Violet (Fox) Barron, 91, of Farmington died at her home on Jwith her family by her side. The wisdom of perspective and horizon in iconography can help us delve deeply into an ongoing encounter with the living Christ given us by St. In his Gospel and in Acts we are presented with a verbal icon of Christ and also Christ and his Church. Luke is called the patron saint of painters due to the tradition of his writing an icon of the Blessed Mother. Scripture gazes upon us and envelops us within its horizon and its possibilities, if we let it and do not try to limit it to our narrow perspective. In our reading of Sacred Scripture the perspective begins with the Word and moves toward us. The perspective of horizon found in the Gospels is the same as that expressed in iconography. This is a shame, and it always ends poorly because we are always “poor” in comparison to the perspective of God himself! In the Gospels we encounter the very face of Christ gazing upon us: Christ the rabbi and teacher, Christ the prophet, Christ the son of Mary, Christ the healer and worker of miracles, Christ the compassionate one and good shepherd, Christ the one who will judge, the transfigured Christ, Christ who gives the Eucharist, Christ the beloved son of the Father, Christ who suffers and was betrayed, Christ who died on the cross and was buried, the resurrected Christ in glory! Time and again, throughout history, we have seen the temptation to read the Gospels from our perspective and our little vantage point rather than letting the Gospels envelop us into their depth and horizon. Iconography can help train our spiritual sight in the realization that it is of great and important benefit to let the Gospels gaze upon us and put us in its perspective of horizon rather than the other way around. Here, there is a profound lesson for disciples in how we ought to approach the Gospels. But icons are anything but simplistic and naïve.) In iconography the perspective of horizon is not to be found starting with the viewer peering into the icon (as in classical Western art) rather it begins from the icon moving toward the viewer. (This is why icons can, on the surface, come across as simplistic to our eyes that have been trained in the classical Western notion of perspective and horizon in paintings. For this reason, the perspective of horizon is actually reversed in iconography. Even better, when I am before an icon, it is the saint or Mary or our Lord who is gazing upon me. When I look at an icon I am not just looking at some painting of a saint, Mary, or Christ himself when I look at an icon I am looking at the saint or Mary or our Lord. Rather, icons are a sharing in the very person(s) represented. Icons are not a representation separate and distinct from the original image.
Icons should not be considered “paintings” in our modern, Western understanding of the term. Luke brings the reader of his writings into a direct encounter with the living Christ. Luke accomplishes through his account of the Good News what the iconographer seeks to do visually through the discipline and skill of writing an icon. Is it inconceivable that he might have met Mary herself?
#Kathy barron iconographer full#
In the first few verses of his Gospel Luke establishes that his sources were some of the very people who were “eyewitnesses and ministers of the word.” Luke is the only one of the evangelists who lays out a full and in-depth account of the Annunciation and Incarnation to Mary as well as her visit to her cousin Elizabeth. Luke was obviously a well-educated and gifted man with many skills and abilities. Luke, but I for one have no problem with considering this tradition a possibility. Now, to my knowledge, there is no known or authenticated icon that can be directly traced back to the hand of St. In iconography, the verb “to write” is used rather than “to paint,” as an icon is considered visual theology. Luke is revered as the first (according to tradition) to write an icon of the Blessed Mother.
Paul, an evangelist (the author of the Gospel that bears his name and the Acts of the Apostles) and a physician. Luke is known as a fellow worker with St.
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